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Δευτέρα 20 Φεβρουαρίου 2012

to Harvest Water

A fictional narrative conceived by John Becker at the GSAPP, Columbia University exploring the potential of the dew collection though the past, present, and future.

Dating back to the 18th century the Harnham Estate, located a short distance outside Salisbury England has documented regional techniques for harvesting water providing a rich history of the practice and the subsequent effects. The methods applied through the centuries reflect regional limitations, a shift in intention and attempts to amplify efficiencies. Although many of these techniques are specific to the region and time period, they are not necessarily unique to the site; it is the extent of the documentation of these exercises and the entrepreneurial achievements intent on monetary gain that make the subsequent story so fascinating.

After acquiring the Estate in 1786 following the death of his Father, Sir Edward Harnham commissioned a series of engraved maps to be produced of the Estate. Cataloguing the boundaries of the Estate, as well as all landmarks within the terrain in a series of 4 maps and 2 scenic prints one depicting the manor, and the other the view of the Salisbury Cathedral from the manor. The 2 remaining images both display the dew ponds contained on the site. The large number and proximity of these dew ponds is rare, and is considered to be the largest concentration of dew ponds known in the South Downs.

Located on large deposits of chalk the South Downs is essentially a large aquifer making the retention of water a difficult task. For hundreds of years residents of the South Downs have used a technique known as puddling to construct dew ponds which allow water to be drawn from the atmosphere and retained on the surface for long periods to provide drinking water for cattle. In the Early 20th century a catastrophic failure exposed a previously forgotten cistern located beneath the dew ponds. A local architecture firm was hired to survey the cistern and assess its potential threat to the existing manor. The conclusions presented stated that once the water had evacuated the cistern it was no longer a structural threat to the residence.

Providing premium bottled water harvested from the now locally known Harnham dew ponds, Ethereal 1 entered the market June 11th, 1991 at £14 a litre. After a slow start Ethereal 1 finally met with success in 1995 as the market for bottled water grew exponentially. In order to meet growing demands, a series of dew collecting nets were pioneered by a London based architecture firm MJB Architects which allowed for a 25 fold increase in production. Due to peak production vs. bottling time, storage bladders were constructed on the hillside to provide short term storage for water during the process. The Bladders were placed under the surface of the earth to provide protection from the sun, and to retain the water’s desired temperature.

This new system now mirrored the previous system of harvesting, storing, and distorting the landscape, except on an exaggerated time scale. The success of Ethereal 1 is largely credited to the history of water collection from the Estate. Inversely this success in turn encouraged the use of these techniques in the region to meet growing demands for water during periods of drought. Once these techniques were spread over a larger region their success caused the near collapse of the water table in the territory north of the South Downs. In 2026 a bill failed to pass that would have banned all acts of poaching the aerial aquifers within Southern England. By 2035 desalination became the leading source of water for England followed closely by atmospheric stripping techniques such as dew harvesting. At present 3000 cubic miles of water exist in the atmosphere at any given time. 98 percent of this resource is replenished every 2 days, and most importantly only 2 percent of this moisture exist in clouds, the vast majority is found in ambient air. Since 2028 atmospheric aquifers have been tracked and traded as an asset in the global stock exchange.

As water’s value increases many countries inflate their economies based on water futures. Recognized as one of the most prestigious water companies in the world, Ethereal 1 began to capitalize on their long standing history of water collection. In 2001 the company began selling vintage bottles of water, allowing customers to hand pick select days in which their water was collected.

Κυριακή 19 Φεβρουαρίου 2012

an Extension to a Metro

In the international competition for the new Sofia Metro Line extension and Metro station, Amsterdam-based ShaGa Studio, in collaboration with Margherita Del Grosso Architects, was shortlisted out of over 130 entries. The Lantern Metro station showcases ShaGa’s inclination towards combining architecture with infrastructure, ecology with computation, maintaining the idea of sustainability as backbone of the design process. The project ultimately received an honorable mention.

The project develops a new metro station typology through a time based sustainable approach and with special attention to day/night lighting conditions under and over ground. Nested along the future extension of Metro line 1 and at the local crossroad of Druhzba I and II residential areas, The Lantern transportation hub weaves together the district infrastructure needs with a series of unique local open public spaces .Through an emphasis on the natural light condition below ground and the integration of lighting features (back-lit LED ‘mood walls’) in the station interior and facade, the design enhances visitors orientation, visual connections and an optimized orchestration of public flows, seamlessly connecting the immediate urban context to the station’s concourse level and further to the train platforms.

Σάββατο 18 Φεβρουαρίου 2012

developing Prototypes

This project is a 55,000 square foot research lab, designed by award-winning office Brooks + Scarpa, office and industrial testing facility serving an automotive industry client who designs and manufactures automotive and heavy truck chassis. The first phase encompasses a total of 15,500 square feet, including 5,500 square feet of office space and 11,000 square feet of research labs and warehouse space for testing and developing prototypes. The second phase consists of an additional 5,500 square feet of office space and 34,000 square feet of research labs and warehouse space.

Industrial buildings are rarely a place that anyone is happy to visit or work. They are typically a direct, and often nefarious programmatic response to the function inside with little consideration for the occupants needs. The approach to this project was to preserve the integrity of a high bay industrial facility and program, while providing a model environment for the users and visitors.

A saw-toothed roof draws from the geometry of old factories and the surrounding Monterrey Mountains. The angled elements of the roof provide abundant natural daylight to the spaces below at the building’s northernmost elevations. By modulating space and light thru a fractured roof geometry, the building is able to maintain a rational plan to meet the rigorous requirements of the program, while providing a strong connection to the landscape both visually and metaphorically.
The second major feature of the building is the perforated metal skin that clads the entire façade. Manufactured by the client in their auto manufacturing facility nearby, the custom aluminum skin is both perforated and etched. It incorporates interplay of solid and void, orchestrating areas of both light and shadow, while limiting views into the research areas, necessary to protect proprietary trade secrets. Thus, the industrial program has been transformed from a black box environment to a light filled space with a strong visual connection to the outside.

Each of these strategies and materials, exploit the potential for performance and sensibility while achieving a rich and interesting sensory and aesthetic experience.

Programmatically, the building is divided into two volumes – warehouse/labs and offices functions. The upper story of the offices cantilever over the lower story to the west and is clad in a highly perforated metal skin and is the main entry facade. The lower story is mainly glazed and open to reveal portions of the research laboratory, machine room and other industrial functions not requiring visually security. From the exterior, the warehouse appears to float lightly over the mechanical and intellectual heart of the program, reversing the notion that an industrial building should be solid and protected. Rather, the building seems very open and is intended to feel vulnerable revealing parts of its inner program to public view.

The main entry of the building is located at the northwest corner under the cantilevered volume. It is flanked by a sunken garden to the north, which is overlooked by the surrounding offices. The garden is a natural bioswale that connects to the adjacent water reclamation wetland for the entire PITT campus. A large industrial overhead door located off the entry in the main public space opens to the garden outside.

Παρασκευή 17 Φεβρουαρίου 2012

to Perform Ideas

SOFTlab produced a hanging installation for the entrance to School Nite, an exhibition of site-specific installations, performances, and discussions. The installation was curated by Nuit Blanche New York as part of Flash:Light 2011 along with the Festival of Ideas for the New City sponsored by the New Museum.

The installation was in the entrance of St. Patrick’s Catholic School at the corner of Prince and Mott Streets in NYC. The form was generated through a gravity driven process and then prepped for production. The surface contains more than 1400 battery powered LEDs. The piece was designed to light up the entrance for the night time event. The main formal expressions of the installation are the hanging pieces that flicker and blow in the wind, with the intention of slowing down traffic through experience and effect rather than typical barriers. Visitors are meant to co-mingle and interact with the piece, not unlike a clown fish and the sea anemone.
Photos: Alan Tansey

Materials: Mylar, Acrylic, LEDs, Conductive Thread, Lithium Batteries
Area: 270 sq.ft.
Date: May 7th, 2011

Πέμπτη 16 Φεβρουαρίου 2012

molecular Atomic scales

NanoArt is a new art discipline at the art-science-technology intersections. It features nanolandscapes (molecular and atomic landscapes which are natural structures of matter at molecular and atomic scales) and nanosculptures (structures created by scientists and artists by manipulating matter at molecular and atomic scales using chemical and physical processes). These structures are visualized with research tools like scanning electron microscopes and atomic force microscopes and their scientific images are captured and further processed by using different artistic techniques to convert them into artworks showcased for large audiences.

NanoArt should not be confused with Microphotography which is performed using an optical microscope with a photographic camera attached to it and renders flat images at low magnification. The depth and three dimensions achieved in NanoArt sets this imaging process apart from Photography where images are created by photons (particles of light) rather than by electrons (electrically charged particles). The electrons penetrate deeper inside the structure creating images with more depth, more natural 3D-look than the photographic images.

In Italy, artists Alessandro Scali and Robin Goode are creating nanometric artworks like nanosculptures and nanolitographies, invisible to human eyes. Artworks are made with the collaboration of a team of scientists from Politecnico of Torino, Italy.
 

Τετάρτη 15 Φεβρουαρίου 2012

cocoon FS

Part of a worldwide research network conducted by PlanktonTech Institute, the COCOON_FS is a structure that integrates architectural sculpture, new technologies and biomimetic principles. As the Institute’s focus is on basic research of marine plankton organisms such as diatoms, the intention of the project is to develop as a material efficient construction by learning from natural lightweight composite structures. Pohl Architekten created a technical solution by translating natural lightweight constructions into technical prototypes using highly efficient technical fibers. It is a floating system that embodies the activities of PlanktonTech.

COCOON_FS visualizes both – natural lightweight construction as well as highly efficient technical design solutions. With its weight of only 750 kg, the pavilion can easily be transported to any location. In the sense of stability the floating construction is able to withstand thunderstorms. The self supporting shell of COCOON_FS is made of FRP (fiber reinforced polymers) that forms the skin and the supporting structure in one. The FRP composite design is optimized by all design parameters including broad iterative research of parametric design, production needs. Compared to biological solutions in nature, COCOON_FS is to be seen as morphogenetic design.

Τρίτη 14 Φεβρουαρίου 2012

a Building moves Beyond itself

Even before the first pueblo fire was lit in the Los Angeles basin and the first cars arrived in Shanghai, the atmosphere was toast. The dirty yellow glow of Beijing and southern California, although capable of producing beautiful sunsets, stands as a troublesome reminder of an atmosphere in demise. Mere neutrality is not enough. The sheer mass of ineffective and bad building technologies has to be recalibrated and an over-correction applied. We are developing a building that moves beyond itself, and through an act of supererogation, attacks the more global conditions. One building can only have so much of an impact but a collective, that leads by examples and inspires other progressive green thinking, can truly make a difference.

This tower takes an active stance and attacks the problem of dirty air by aiming to help purify the air of our cities. The tower pulls dirt, grease, and bacteria out of the air, producing only oxidation and water as a result. The reaction is triggered by the use of a nano-coating of titanium dioxide on the outer skin of the project. The reaction is naturally powered by sunlight acting on the titanium dioxide during the day and supplemented by ultra violet light at night. These UV lights are powered by energy collected through PV panels during the day. The tower will be a glowing indigo object at night varying in intensity according to the amount of solar energy collected during the day. The indigo glow will become symbolic of the cleansing, counteracting the yellow haze that dominates the daytime hours.

The formal design moves of the tower are shaped by basic passive solar ideas that are amplified in magnitude, by a focused analysis of wind and light. Every twist and pull in the massing is set off by a series of interrelated environmental considerations. The passive solar attributes are enhanced by the additional layer of technological innovation provided by the titanium dioxide. Keeping the technology as simple as possible, we avoid the inherent traps of technological problems by piling on more technological solutions. We realize that the liberating aspects of the technological solution are often tied to the imprisoning traits that follow as a result of the solution.
The tower is split into three bars to 1) increase the amount of surface area, 2) provide southern light to the south face of each bar, and 3) focus and increase wind speed. The added surface area allows for maximizing the amount of titanium dioxide that can be placed on the building—enhancing the amount of air being cleaned. The focused and increased winds speed not only power a series of vertical wind turbines, but also pushes the air across the titanium dioxide panels and provides cross ventilation for every room of each unit in the towers. A positive pressure is created on the southern face of the towers and the resulting negative pressure on the northern facades creates optimal conditions for cross ventilation. A series of wind turbines are mounted on bridges connecting the three towers. The air flow is compressed and directed by the form of the building to generate maximum wind pressure at the location on the turbines. The bridges are all two-story spaces, each containing a small garden to help mitigate the buildings internal humidity levels. The units are also two stories to reduce the amount of elevator stops needed for the building while creating a natural separation between living and sleeping. Each unit has both north and south facing facades to take advantage of the beneficial light and heat gain potential. The east and west facades have minimal glazing to neutralize low-angled and uncontrollable light.

The skin design is inspired by the pocketed and cellular texture of the titanium dioxide molecule (TiO2). A series of organic cells cover the building and are tapered to naturally collect the water, a byproduct of the skins chemical reaction, and to collect and slowly release rain water. The skin pulls off of the building on the south facades to provide natural shading and pushes into the inner skin of the north façade to maximize daylight and provide fifty percent coverage to reduce heat loss during the winter months. The skin also floats off the building to conceal the UV lights which can be harmful to humans who are directly exposed to it, and further maximizes the building’s envelope.

A series of gardens are located at regular intervals all the way up the tower. They become public gathering spaces as well as marsh lands to collect the water from the chemical reactions of the skin and to filter and process grey water from the towers. The plants also turn the carbon dioxide, created in the chemical reaction of the skin, back into oxygen. It is paramount to have the plants help maintain the base-level carbon neutrality. A large pool around the base of the tower is the final collection point of the filtered water which goes to support a large amount of animal and plant life. Water is also pumped back up the towers from the pool to service toilets. Furthermore, the pool at the base acts as a heat sink for the release of the heat generated from a back-up air conditioning system. Here, the heat is released slowly, thus helps reduce the heat island effect.

We also propose the use of self-cleaning windows and bathroom tiles, which are available in the market for more than a decade. Scientists have been working on a solution on developing a “smart coating material” which can wash away dirt and keep the surface clean. However, it is not sufficient for the rapid urbanization we face. The ultimate challenge is how we can destroy the molecules of the pollutants, including nitrogen oxides, which are mainly the effects of heavy industries and automobile emissions.

The density of our large cities brings the additional complication of transmittable disease. The nano-material we propose can also be used on internal hallways, trash rooms, and elevators to remove or reduce bacterial agents. In an age of globalization with more potent infectious diseases, a building that can help neutralize bacteria within it can help curb infection rates. SARS and now H1N1 have demonstrated to us that our buildings are not ready. A sanitized walk-off mat is simply not going to prevent the next global pandemic. The air streams that blow out of each individual unit, as a result of cross ventilation, are designed to disperse the contaminated air away from the building and prevent back flow into adjacent units.

With the advancement on today’s nanotechnology, scientists can now modify and enhance the coating technology on building facade panels for incorporating the light activated nano-titanium dioxide (TiO2). The TiO2 based photo-catalysts can trigger a series of chemical reactions to generate hydroxyl radicals when exposed to sunlight or ultraviolet (UV) light.  The artificial near-UV light source will give the maximum power on the photo-catalyst reaction. These radicals will oxidize and degrade most of the airborne urban pollutants such as volatile organic compounds (VOCs) or nitrogen oxides. They can even assist in deactivation of bio-contamination. This technology can make any surface anti-bacterial and mold-free. It can purify our ambient air and protect our buildings from bio-aerosol contamination.

The building is an explorative exercise aimed at taking full advantage of passive solar technique carefully married with the benefits of a titanium dioxide skin. The location of the project is set in Qingdao, China. Profitability will play a key role amongst investors in the shift towards our sustainable solution. We believe that coming out of a global recession, the consumer will be looking for a stable investment. The choice between purchasing a residential unit with a positive environmental attitude and not, will hopefully become a simple one. To get the product to market, significant tax breaks will be needed to help secure the positive direction the developers and consumers are looking for. Such architecture should be backed by progressive policy.

Designed by: Ted Givens, Benny Chow, Mohamed Ghamlouch

Κυριακή 12 Φεβρουαρίου 2012

opens in Keppel Harbor

Daniel Libeskind’s first residential development in Asia, opens in Singapore. Prominently situated at the entrance to Singapore’s historic Keppel Harbor, the project is the architect’s largest such development to date. Its roughly 900,000-square-foot, 20-acre site comprises 1,129 luxury apartments divided among six high-rise towers and 11 spacious low-rise villas of six to eight floors each. No two floors are alike in shape in size, giving each a distinct look and feel. In a feat of design and engineering, the soaring towers gently bend toward one another as if in conversation.

Daniel Libeskind’s design artfully avoids the uniformity and feeling of congestion often found in residential developments. It also deftly tackles the challenge faced by architects when working in Singapore, where high-density construction is often the only way to recoup the high cost of real estate. By placing the low-rise villa blocks along the water and the high-rise towers behind them, the design succeeds in creating an airy, light-filled grouping.

Every detail of the design heightens the buildings’ connection to land, sea and air. The high-rises are sheathed in modern anodized aluminum panels intermixed with large, glass windows. When combined with the towers’ alternating heights (three are 24 stories, three are 41), the exterior creates a striking interplay of shifting planes and shimmering, seemingly infinite, reflections. Adding to the visual impact are openings among the structures that yield perfect views of the horizon. Finally, rooftop gardens offer verdant, serene spaces unusual for apartment towers, while the nine landscaped “sky bridges” connecting the towers offer almost panoramic views of the nearby mountains, sea and lush foliage.

Σάββατο 11 Φεβρουαρίου 2012

an AirFlow of Plants

The Active Phytoremediation Wall System is a modular system of pods, housing hydroponic plants. Its main purpose is to encourage airflow and contribute to the quality of life through its air cleaning capacities. The project is a result of a collaborative research between Rensselaer Polytechnic Institute and Skidmore, Owings & Merrill.

It is a bio-mechanical hybrid system that produces ‘fresh air’ from within buildings, thereby reducing the energy consumption. Because the plants’ roots are exposed, instead of being buried in soil, the plants’ air-cleaning capacity increases by 200 to 300 percent. The pods themselves are made from vacuum-formed plastic, and the form allows the maximum amount of air to reach the root rhizomes while using the minimum amount of material. It also creates a beautiful base for the plants. The wall system can be installed in large commercial interiors, but works equally well in small settings—a four-module system in an apartment would have the impact of 800 to 1200 house plants.
Researchers: Emily Rae Brayton, Ahu Aydogan

Testbed Site: Public Safety Answering Center II, Bronx, N.Y.

Architect: Skidmore, Owings & Merrill, New York—Carl Galioto (technical partner); Gary Haney (design partner); Peter Magill (managing partner); Rob Rothblatt (senior designer); Joseph Sacco (project manager); Carl Brown (technical coordinator); Julie Hiromoto (project team)

Πέμπτη 9 Φεβρουαρίου 2012

a Contemporary Architecture

Succulent House demands a systemic and structural reorganization of contemporary residential architecture. It explores possible solutions to water shortage issues and environmental consciousness  by treating the water collection capacities of houses as integral part of the design, instead of reducing it to a foreign body- an artificial addition to our, otherwise unburdened everyday lives. The large plastic curtains expand as they’re filled with water, enabling the whole process to be seen from the interior. Besides becoming a renewable energy source, this mechanism creates a continuous experience of sustainable action that is etched into the subconscious.

The roof surface is divided in two and is maximized for water collection, storage and distribution. It collects gray water used for showers, toilets and washing. The roof planes direct rainwater into storage cores around which program is distributed. Made of elastic material, the curtains act as “bladders”, accumulating water and distributing it further. Designed by LA-based Murmur, the Succulent House is a proposition for future sustainable building. In this experimental piece, Murmur captured the essence of frequently mentioned principles such as biomimicry, organic and flow. What the House obviously accentuates is that the implementation of those ideas has to be systemically and structurally necessary in order for them to become valid architectural Principles. In other words, it has to work.

 

Τρίτη 7 Φεβρουαρίου 2012

a Digital Roof

The main feature of patterns and parametric surfaces addressed by architects at Atelier Manferdini is using the principle of repetitiveness to play with the figurative and structural role of computational design. Versatile applications of those motifs are explored through a wide variety of the Studio’s work, ranging from fashion and lighting design to architectural projects. Somewhere between ornament and structure, the lacy metal roof of the Malpensa Airport seeks to find common ground between decorative aspects of patterns and their role in the digital optimization of architecture.

The project involved the replacement of the connecting tunnel between the Express Train Station and the Terminal 1 of the Milan Airport, all in preparation for the World Expo in 2015. The designed segment comprises a covered area that will serve as an exhibition space as well as a pedestrian trajectory, connecting the sides with roof gardens. The part of the roof overhang on the west side is clearly visible from the street lanes that flank the underlying construction of the new Hotel Malpensa.
The roof is supported by a metal frame to ensure lightness and limit the weight, and avoid compromising the existing structure of the parking lot below. The north side of the structure is adjacent to the hard deck of Terminal-1, which connects the foot to impart the necessary lateral stability against wind and seismic loads.

The cover is made of a modular system of metal bent brush anodized in 3 shades (gold, natural and mirrored). The geometry of folded panels and reflective surfaces of the metal create rich effects in light and color that change with the angle of the light source and with the observer’s viewing angle, giving dynamism and lightness to the new port of Milan. During daylight hours, the geometry of the modular system and its openings are less frequent at the ends of the cover and act as tree branches by creating a play of light and shade. During the night, the perforations in the cover spread interior lighting onto the pedestrian crossing.
 

Δευτέρα 6 Φεβρουαρίου 2012

Karmelita Opera in Art

How to integrate an opera theater into the historic urban fabric of Vienna? This project seeks to develop a middle ground between excessive un-architecture and conventional opera theater. One of the strategies is to create a new vertical transition part as the coherent between the opera theater and the concert hall. It was designed as a solution to the substantial decrease of earth specially which site is located in a high density residential district. This tower proposes an intensive, yet ivy romantic environment with an Opera Theater, a Concert Hall and a Panoramic Restaurant where you will be able to find little squares, picturesque sightseeing to this city, parks, hanging garden, and many cultural facilities.

Tang Fei experimented with form production at the Excessive Studio II, Urban Strategies, Die Angewandte Vienna in Austria to produce an Opera Theater or a Concert Hall in the Karmelitermarket.
 

Σάββατο 4 Φεβρουαρίου 2012

a Gateway to The Sky

Award-winning firm Snøhetta has been commissioned by the Ras Al Khaimah investment Authority and RAKEEN to undertake the architectural design for the Gateway project in the emirate of Ras Al Khaimah. Situated in the desert 150 km to the east of Dubai this landmark project will mark the gateway to the emirate and form the entrance to the new planned capital city of Ras Al Khaimah. The urban master plan for the city is currently being under taken by the Netherlands based architectural practice OMA. The Gateway project is situated at the entrance to the city and will form a landmark for the city entrance.

The architectural expression for our proposal is inspired by the surrounding desert and mountain landscape. This concept provides for an infinite variety of naturally shaded, intimate and protected spaces, around which the multiple uses associated with the development are woven. The undulating architectural landscape is resolved in a dramatic landmark tower marking the main gateway plaza. This 200 m high tower will be the setting for a 5 star plus hotel affording panoramic views across the emirate, to the gulf and mountains beyond.

The programme calls for a mixed-use development comprising a conference centre, exhibition centre, hotels and retail space. In total it is expected to be 270 000m2 of build area. In addition there will be substantial areas of associated garden and landscape. Externally the building will be clad in ceramic panels, this will be developed together with Ras Al Khaimah ceramics, one of the world leading producers of ceramic products.
 

Παρασκευή 3 Φεβρουαρίου 2012

to Feature a Snail

The Snail Pavilion is a competition entry for the Ceramic Tiles of Italy trade show pavilion. The purpose of the pavilion is for the trade association to represent its member companies’ products at a series of shows over a three-year term. Instead of selecting just a few sample products to feature, the scheme uses hundreds of tiles from Ceramic Tiles of Italy member companies to create giant “creatures” that bristle with the range and depth of Italian ceramic products. In this way the pavilion is more like a library with tiles stacked on shelves than it is a surface against which tiles are set in a rigid grout bed. Visitors can literally occupy the entire history and product catalog of the member companies. An innovative stacking system uses a simple assembly method to produce the appearance of feathers or scales – arraying tiles in a variety of sizes and colors into complex, visual seductive plumage, bristles, and whorls. The tiles are organized into loose color groupings that anticipate different sizes and tones, so the system can accommodate a broad diversity of sample products.

The creatures organize the pavilion into a diagonal shortcut path that funnels visitors to a pinch point where the tiles stick out and invite tactile exploration. Open figures in plan make the creatures occupiable for food service staging and VIP dining. To encourage the sense of adventure while patrons browse the pavilion, unfolded maps of each creature will be provided to point out the locations of tiles that member companies would like to feature. Browsing floor coverings becomes a safari!

Size: 3,000 square feet
Project Team:
Andrew Holder,
Claus Benjamin Freyinger, Yilip Kang, and
Noah Rubin
Materials: Ceramic Tile, MDF

Πέμπτη 2 Φεβρουαρίου 2012

Bloodletting Scales

It often happens that the small-scale, programmatically simple design tasks tap into the basics of the practice and remind of what is the initial creative act in designing – Asking Questions. To most with formal architectural education, designing trade show pavilions presents starting challenges that help solidify their understanding of space. By returning to questions, small competitions act as a bloodletting treatment for the current global discourse. These also take on a didactic role for architecture beginners, reminding them of the complexity of the design process that can be revisited, but certainly not avoided by relying solely on the abstract art of mathematics.

The winning proposal for the Ceramics of Italy Competition is a recognizable, functional and versatile space, achieved by using the design elements organically and making them part of a clear, cohesive architectural thought. The project marries archetypal spatial preoccupations with modern technologies and computational design.

The 3,000 square feet rectangular trade show pavilion comprises a café, information and reception desks and storage spaces. Lifted at the opposite corners are two seating areas, reminiscent of Italian piazzas. These are progressively transformed into information and reception desks. Layering of the platform into gradual steps allowed the architects at e+i Studio to extensively showcase the Italian tile palette through variations in color. The gridshell wood structure supporting tile mounds creates service areas below, leaving the space between the slopes for gatherings and dining.

Piazza Ceramica can be recreated in many different configurations. The structure, manufactured with CNC and water jet technologies, consists in producing one module and its mirror counterpart, which can be combined and reused in multiple assemblies.
 

Τετάρτη 1 Φεβρουαρίου 2012

Light Future Stations

The proposal for Sofia’s new Metropolitan Station 20 on line one was designed by Zeybekoglu Nayman Associates. The design strategy seeks to take advantage of the intense relationship between Obikolna Street and the future station. Organized along a glass spine that covers the space below ground level, the station is meant to capture as much natural light as possible.

Architects state:” The sun penetrates down through sculptural skylights illuminating the entire station in a warm glow. The use of daylight as an architectural element assists orientation for passengers and provides a sense of security.   It allows for the atmosphere of the station to be transformed by the color of the sky.  Underground the station is efficient, easy to read and comprehend through its organized masses.  The descent down to the metro is designed as an elegant, modern addition to the street life above. Public access areas on B1 contain places to sit, shop, and dine. Open to all, this level has direct access to both sides of Obikolna Street through a new pedestrian underpass.  Ticketed areas on B2 including the platforms are separated by a series of turnstiles that lead to zones of vertical transportation.
This design demonstrates a spatial coherence between the two worlds above and below.  Gracefully shaped glass geometries define a modern sculptural addition to the outdoor-indoor environment. During the day the outside is brought into the station and at the night the glowing illumination from within becomes part of the street scene.”

Τετάρτη 25 Ιανουαρίου 2012

to Deal Life in an Urban Scale

It is understood that cities and buildings are largely shaped by a dynamic flow of interrelated cultural, social, political and economic forces – the nature of possible interfaces between architecture and its various settings within the contemporary city. Rather, Vernon’s Vectors is a re-interpretation conceived by Daniel Cheng Lee and Jae Hwan Lee of how a building may deal with architecture on an urban scale. Rather than relying on the surrounding context of the city to begin addressing the project’s behavior, a singular yet versatile design system is implemented to influence the surrounding context to create an iconic image for the city – an inside out approach to urban systems.

From an initial urban analysis of Vernon, California, the notion of the curve is extracted, abstracted, and injected back onto the city as a generative component. The spline is then exploited to create a tower and museum with intelligence gained from the high-rise and medium building studies. Specifically, The programmatic spaces found within the tower and museum are parametrically generated by means of controlled rotational repulsion that are extruded in the Z axis to create three dimensional space. The tower vertically tackles issues of the blend between interior space vs. exterior envelope, structural feasibility, figure-ground relationship and scale through coalescence and dispersion. The museum, on the other hand, uses the curve to address atmospheric effect and scale via a fiber optic lighting system in which the shapes of the extruded profile faces are determined by gallery spaces and circulation. These processes are threaded together in hopes of creating an iconic figure for the city of Vernon.

Πέμπτη 19 Ιανουαρίου 2012

Wings Of a Building

The project by the young architectural studio Urbanplunger has been recently awarded the third prize in the Night Club Hotel in Hong Kong international competition. The main idea is to create a suspended building structure to comply with the extremely compact planning in Hong Kong. The whole structure is elevated above the ground by leaning on the nearby buildings.

The nature of the design allows for a green square underneath the building and increases the area of the existing recreation zone. The visual and functional aspects of the building consist of three main parts: 1. Nightclubs. The lowest part of the building. 2. Public mid levels with lobby and security access to the hotel. A Spa centre with a semi-Olympic sized swimming pool along with a business centre, store, restaurant etc. makes up the central part of the building. 3. Hotel. The upper part of the building. All the floor slabs have the same depth and size but the structure tapers inwards towards the top. This allows for balconies in single and double rooms and terraces in suites, aerial villas and the presidential suite.
Circulation strategy.

The building is linked to the ground by lifts that go up to the lobby through the nightclub zone which is open to the public. From the lobby customers are able to gain access to the hotel, spa centre etc. The structure is an architectural parasite that leans on its neighboring buildings and uses their internal infrastructure.

Construction.

The entire load of the construction is transferred onto the buildings it leans on via the load-bearing frames that form the “wings” of the building. This allows for the vertical and horizontal structures to be made from light and strong composite materials.

Τετάρτη 18 Ιανουαρίου 2012

Architecture as an Instrument

This project designed by Surasuk Pattanapanitchakul at the Academy of Art University in San Francisco intends to illustrate the synthesis between nature, urban and architecture, which supports and collaborate to each other, showing the soul of interconnection which increasingly synthesize with the space, in order to show how architecture can act as an instrument.Traditionally, music defined as aural element expressed through time. architecture as instrument explores the idea of music as defined by visual expressed through time, specificially shadows cast as the sun traverse the sky visual representation of temporal experience-thecycle of the day.Structure as instrument explores the idea that the structure itself is an orchestra and the ever-changing and continual shadows that fall across it and beside it are music experience by users.

In the context, the sun is the conductor, light are the musician roadside element are the instrument, and the shadow they cast are the music.The hybridization of jazz music which interacts with architecture is the main goal of this project, all each brilliant note which performs from the nature will amazingly increase performance through the space which morphs based on sound quality.The geometry design specially to maximize openess, flow of activityfrom the urban context to the interior space, creating the interconnection to each function start from the main plaza to the sky lounge on the top floor.Jazz, always changing, yet retains part of its original formation at it roots. Jazz is a musical style that change with the times and the various outlooks of it listeners. One reason that Jazz remains popular and alive is its ability to adapt to the world it lives in.The project intends to show the idea of cultural combination through art between Asian culture and American culture. This would introduce a new perspective to the Fillmore neighborhood, which is the center of blues and jazz in San Francisco. This factor combined with the high density of Asians residents in the area would convert Fillmore in the new Asian art destination in San Francisco.

Τρίτη 10 Ιανουαρίου 2012

maggiex Center

Maggie’s Aberdeen Center by Snøhetta will continue Maggie’s legacy of bringing contemplative architectural to hospital sites; providing the all important right environment for Maggie’s to facilitate their programme of emotional and practical support to anyone affected by cancer.

A string of talented architects have now designed Maggie’s Centres, including the likes of Frank Gehry, Zaha Hadid and Rem Koolhaas. Snohetta will follow in such footsteps to design the latest Maggie’s Centre, and will draw on local expertise to realise the vision of the Centre.

Laura Lee, Maggie’s CEO, said: “We are so pleased that the application is now under consideration by the council. The design for Maggie’s Aberdeen is really striking and encapsulates the Maggie’s brief in providing a space that is homely and full of warmth, whilst sparking curiosity and imagination from its visitors. This is a building that will first and foremost provide the ideal environment for people facing cancer in the region to gain support, whilst also greatly contributing to architecture within the region. Monty’s Maggie’s Appeal has inspired a fantastic response from the community and I look forward to entering 2012 with such a tenacious and supportive team.”

Colin Welsh, Chairman of Monty’s Maggie’s Appeal Committee said: ““This is a real milestone for us and a time to thank all of the donors who have supported the Appeal over the last year when all we had to talk about was the concept of the Centre. I also want to commend all the local companies who are giving services free of charge. We are hoping that being able to see what the building will look like and where it will sit, will give our Appeal further momentum.”

Richard Carey, NHS Grampian Chief Executive, said: “What great progress for Monty’s Maggie’s Appeal to have reached this important stage in development. The initial design manages to be both stunning and modern whilst appearing welcoming at the same time. It will certainly be an exciting and most worthwhile building to have on our Foresterhill site and for the people of Grampian. This is a centre that will be greatly utilised by all in the region affected by cancer and it’s great to take a step closer to that reality.”

Charles Jencks said: “Snohetta, coming from the Norwegian culture, has great insight into the life and landscape of the Scots – particularly Aberdeen, a short hop from Oslo. Their mixture of a warm interior of furnishing embraced by a protective shell strikes just the right balance for Maggie’s.”

Κυριακή 8 Ιανουαρίου 2012

Gaudi's Parabolic Structures

The design follows methods used by Gaudi for his church projects. This specific approach involved hanging the chains upside-down, showing the most opportune rib disposition and letting the gravity determine the strongest shape for the future building. Used in the chair design, the chain-models are combined with a software script to generate the structure of the ribs, informing of the complexity of the forces in a chair’s backrest. The chair is created by Studio Bram Geenen,  for their online Open Design Platform. The project was developed as part of the Furnistructures initiative, which involves extensive researches into structural systems, as found in nature and architecture, and the possibilities of designing lightweight furniture using such systems.

The script used to determine the structure of the ribs is based on three steps: the distribution of forces across the surface of the chair, the direction of the forces defines the direction of the ribs, and finally, the amount of force specifies the height of the rib. A thin shell made of carbon fiber deals with compression forces. The white beam-grid substructure resists bending of the shell. The substructure was made using rapid-prototyping techniques to achieve the required complexity. Carbon fiber was chosen for its lightness and strength.
 

Πέμπτη 5 Ιανουαρίου 2012

a Phenomenal Living

Under rapid housing developments in the past years, Hong Kong has benefited much in terms of economy. However, important values such as value in sense of community and individual identity were lost. This thesis hereby critically reviews current and past housing projects in Hong Kong and stating the notion of verticality as the only solution. The ambition is a new alternative high-rise residential typology, in which its inhabitants are given unique units and allocations in accordance to specific zoning strategy within a tower structure, thus creating a phenomenal living experience through bonding and acquiring needs by each and every single individual. It is a re-interpretation of the balance between genericity and specificity aiming at formulating an extraordinary democratic living concept.

A catalog of 1,960 unique residential units that reflects the importance of individual identity is provided- at the same time, it enables the owners as individuals to choose their own unit types from XS to XL, custom-fit to their own features, namely kitchen, bathroom/powder, closet, balcony, entry/fa?ade in accordance to their specific needs. All unit types are formulated based on the primitive cubic size of 2.6m x 2.6m x 2.6m, ranging from 4 to 20 cubes that would define their unit types: XS, S, M, L, XL. Also each unit feature is highly modularized such that it enables open configuration and arrangement in the interior, accommodating each individual’s needs. Life cycle of each unit is approximately 30 years, and maintenance will be on a 5-year-basis to ensure high quality living condition

Τρίτη 3 Ιανουαρίου 2012

majestic Topography

The new architecture for The Bogota International Convention Center, proposed by Saucier+Perrotte Architectes, is meant to act as a reflection of the majestic topography surrounding the site. The signature building for Bogota and for Colombia-CICB, takes root in the physical and cultural landscape of the city. Cradled between the mountains and the river, this stunning landscape gives the urban environment and architecture its unique identity. This conceptual, broad horizon defining the space of the new project contains the geology of the site, its artifacts, both large and small, and the “veins” of precious metals, such as gold, that run beneath the city.

The space between is reminiscent of Bogota’s powerful topographic markers (los ceros), reflected in space to contain the diverse activities and functions of the convention center. Positioned as the fulcrum of activity of the integrated business, art, cultural and entertainment district of Bogota- and the heart of the Innobo Ring, the new convention center design bespeaks the stature of international events it will house and simultaneously speaks to the city and culture of Bogota.

The competition jury shortlisted five architectural firms as finalists, and after the two-stage international competition, the consortium Bermudez and Herreros Architects was chosen to build.

Δευτέρα 2 Ιανουαρίου 2012

Living as to Fly Away

Editor’s Letter
by Carlo Aiello

It is with great pleasure that we introduce you to the premier issue of eVolo. This architecture and design journal was initially conceived in 2004 by a group of graduate students at Columbia University in New York City. Following graduate school, inspired and idealistic, many of us felt the need to reach further and look more closely at ourselves and our specific strengths to figure out what we could uniquely contribute to the field of architecture. Unfortunately entering the work force revealed a scary truth; the world of architecture is a tough place, making little room to accommodate all the unique contributions that so many brilliant young architects were so eager to make. This, specifically, is the inspiration for eVolo; to provide a forum for showcasing the most innovative, the most avant-garde designs that will define architecture in the twenty-first century.
So I introduce to you, eVolo, a work in progress with a clear mission, but no other rules. We have in mind a desire to examine the relationship between architecture and the natural world, architecture and the community, architecture and urban living; but this is an open investigation, welcoming all questions with a willingness to entertain any and all possible answers.

As a part of our mission, in 2006 we created the annual Skyscraper Competition, whereby architects, students, and designers shared their ideas about the future of the skyscraper. The outcome was extraordinary, and in 2008 we published a book with the most innovative projects of the last three years. In September of 2009, there will be an exhibition in New York City to display the brilliance that was uncovered by this competition, brilliance and creativity beyond what we had imagined. Such investment in the work, such innovation, such freedom of thought and expression – we feel confident that there is endless creativity just waiting chance to shine.

So we hope you enjoy the first issue – Housing for the twenty-first century is what we have chosen, and have made it a collaboration between thinkers from diverse fields attempting to understand our current habitation necessities; an exploration of where we are and where are we heading. We start off with the analysis of the economic, social, and architectural causes and consequences of the largest and fastest migration event of human history; the exodus from rural to urban China.

‘Opinion’ is a collection of essays on the broad topic of housing, reaching broadly, from discussions about the use of new technologies, ecology, and global warming, to the transformation of a house into another ‘member’ of a family. This section also includes a reflection on the legacy of Frank Lloyd Wright and his architectural sensibility to make house and context one single entity. In this section you will also find critiques on some of the most forward-looking housing projects designed by world-class firms such as Steven Holl Architects, Asymptote Architecture, Herzog & de Meuron, Bjarke Ingels Group, and Office for Metropolitan Architecture.

Central to this issue are the winning projects of the 2007 Housing Competition organized by eVolo, which consists of twenty proposals that, through the use of new materials, technology, novel spatial organizations, and combinations of programs, present a glimpse of the possible world to come. You will find examples of underground housing, the regeneration of existing neighborhoods, the exploration of new aesthetics from mathematical algorithms, and the studies of biogenetic materials used for environmentally responsive claddings.

The final section spotlights a young firm of designers known as Nervous System, who are producing an ingenious jewelry line based on patterns of organization in the natural world. Some of their pieces mimic the growth of coral and other branching structures, while other collections are created with the simulation of particle aggregation and diffusion systems.

The first issue of eVolo is the beginning of a long journey, along which we intend to search and discover, unveil and promote, in a collaborative format that welcomes anyone that wishes to take this journey with us.

eVolo- to study, to develop, to evolve, to fly away…

Σάββατο 31 Δεκεμβρίου 2011

urban Skyscrapers

The construction of skyscrapers has been an architectural solution for high-density urban areas for almost a century for its ability to combine height with a small footprint. Today there is a constant race between large metropolises and nations to build the tallest structure, but it has been proven that this typology is sometimes not desirable for medium-size cities where skyscrapers destroy the skyline and disrupt the infrastructure of a specific location.

The Flat Tower is a new high-density typology that deviates from the traditional skyscraper. It is based on a medium-height dome structure that covers a large area while preserving its beauty and previous function. The dome is perforated with cell-like skylights that provide direct sunlight to the agricultural fields and to the interior spaces. The dome’s large surface area is perfect to harvest solar energy and rainwater collection.

Community recreational facilities are located at ground level while the residential and office units are in the upper cells. An automated transportation system connects all the units, which are different shapes according to their program. It is also possible to combine clusters of cells to create larger areas for different activities.

Although this proposal could be adapted to any medium-size city around the world, it has been designed for the city of Rennes, France, in an old industrial area.

Παρασκευή 30 Δεκεμβρίου 2011

a Group of Modules in a School

This proposal designed by Brandon Martella is for a mixed use dormitory facility at the New School of Architecture and Design in San Diego, California.

The primary purpose of 3 block is to hold a group of modules within a fluid ribbon of vertical community for 360 students at New School of Architecture and Design.  The vertical sprawl of greenscape is a continuation of the balboa to bay park that runs along park blvd. dividing the New School campus.  Through a division of city, home, and community a new realm of San Diego is created.

Whether its tight rope walking the twin towers or using Renzo Piano’s louvered New York Times Building as a ladder, people around the world see buildings as urban terrain, wanting to feel like a kid once more with imaginative ambitions afloat on the playground. With 3 block these treasured experiences are made real again, a vertical hiking path integrated into the buildings southern exposure, enables the adventurous to finally use the cityscape as their playground.  With various green spaces and local shrubbery the walkways become a shading device to reduce the high-rises overall solar gain, plus the exploration of the building can be turned into an entire day adventure.

Starting with an early cup of joe at the corner coffee shop, an open day can get on its way with shopping for supplies at the brick based marketplace, offering various retail, then onto the fourth floor to pick up a delicious lunch to go from the exquisite café, moving on to a scenic picnic landing to enjoy your lunch, halfway up the building, your journey is not yet complete.  With a brief session of your newest novel in one of the midrise lounges, your 3 block hike can commence and get strenuously steep with the last intense stretch of walkways, but then finally, you’ve made it to the top, one of the highest points in San Diego with panoramic views of the city, you can end your day relaxing at the sky top bar and restaurant, sipping on your favorite brew.  This is your block,  3 block.

Πέμπτη 29 Δεκεμβρίου 2011

Nexus Platform

Designed by Huston-based MA2 Studio, the project is a proposal for a multifunctional urban structure located on Saadiyat Island, UAE. The main purpose of the design is to create a center for gathering and storing knowledge. It attempts to avoid the typical appearance of contemporary libraries and establish a strong relationship between distinct programmatic contents. In line with this, the resulting structure emerges as a mix-use facility, comprising a media center, exhibition spaces, offices and housing capacities. Various platforms that surround the zones are articulated as public and semi-public spaces, markets and green roofs.

The tectonic form of the bridge is gradually developed into a vertical structure. Its vertebral robustness is combined with the aesthetics of curvatures and alternating intensities. Architecture is generated through the principles of genomic formation, comprised of “cybernetic components assembled by genetic relationships”. Those are aimed to develop complex formations that perform with intelligence. The body of the hyper-structure is thus transformed into a dynamic space, magnifying intensities and engaging influx of networks and systems. In its formal language, the structure accommodates existing activities and content, but also anticipates new ones. The complex topography offers a wide variety of use possibilities outside, as well as inside, or both at the same time.

Τετάρτη 28 Δεκεμβρίου 2011

a Pedestrian Connection

Designed by L&A Design Group as part of their Jiangsu Wuxi Central Park project, the bridge establishes an important north-south pedestrian connection between the two shores of the lake. It completes the diagonal axis and activates the entire body of the Wuxi Xidong Park. The structure itself is S-shaped, a curved pathway designed to offer a more engaging pedestrian experience of the natural surroundings.

The central area of the structure is enlarged, creating a stopping platform. The platform creates a focus for the bridge, maximizing views out across the lake under a shaded canopy.  It integrates ramp access to the island while forming an intimate space for the cafe underneath. As the bridge reaches its island destination the shape stimulates a dramatic interaction between architecture, landscape and water. Construction will utilize lightweight steel structures, light colored outer panel skins for a sleek look that can be elegantly lit up at night and polished timber detailing to tactile surfaces such as seating and railing. The design team has envisioned a signature iconic structure that is attractive, has a flowing modern form expressing the importance of Wuxi’s relationship with water and is functional in its connections to the island, foreshores and allowing boats to pass underneath its elevation.

 

Τρίτη 27 Δεκεμβρίου 2011

Natural Properties

Through the implementation of year round programming strategies, including hop plant farming, beer making and providing flexible vending market spaces, this 3rd Prize Winner proposal for the Farmer’s Market Competition aims to strengthen West Highland’s local identity. The project combines agricultural spaces with venues for art and music performances, acting as an entrance to the Denver cultural scene. Designed by Lorene Faure and Kenny Kinugasa-Tsui, the Brewerymarket design is based on the natural properties of the hop plant.

“Hop plant (Humulus Lupulus) is vigorous climbing vegetation and hops are used primarily as an important flavoring and stability agent in the beer making process. The proposal creates the sensual experience of a vibrant ‘garden’ where the hops are farmed on hop poles to create the building’s main green facade. The adjustable assembly systems of the modular vending bins are inspired from the natural material properties of hop pods.

The transparent foldable PVC roof canopy acts as a condenser for reclaiming water; for storage that is then used in the brewery and watering for the beer hops farm facade. The technique for this lightweight system is simple and its cost of maintenance is low. The folding geometry of the roof canopy takes inspiration from a plant and maximizes its surface area for heat exchange. It dissipates its heat at night and allows for the condensation of water vapor from the air, as well as directing rain water to the white funnels that channels water down to the brewery at low level.”

Πέμπτη 22 Δεκεμβρίου 2011

suburbia Density

The strategies of urbanization, especially the impacts of suburbia colonization, are a controversy. The hypothesis for this research is the influence of a higher population density in the Greater Toronto Area and how this will affect its inherent resources.

The prosperity of cities depends on the smooth movement of people and goods and it is getting more difficult with the increasing sprawling developments where large portions of land are not utilized and houses, shops, and workplaces are very far from each other.

The idea for this project is the revitalization of Toronto’s existing infrastructure and to make large developments above them. The main concept is to create a mega structure as an organism that mutates depending on the attached infrastructure. This is a city within the city where habitants will work, live, and play in the same area.

 

Τετάρτη 21 Δεκεμβρίου 2011

to be Floated above the Ground in Belgrade

The Centre for Promotion of Science in Belgrade, Serbia designed by Austrian architect Wolfgang Tschapeller will be an institution of service and a national bank of knowledge in the field of science. It will organise innovative and educative exhibitions, and bring science closer to the people. The main goal of the Centre for Promotion of Science will be to facilitate scientific education, a continuous training as well as social and economic growth, both with direct action, and in partnership with other actors – primarily the Ministry of Science and Technological Development and the Ministry of Education.

The Centre  will be floating high above the ground. It will operate in 3 main levels. On the level of the City it will be an optimistic sign positioned on one of the main routes of the capital. For the Blok 39 it will be a sign, a canopy and a portico. The  building being programmed to promote sciences, it plays on visions of technology and construction. The architectural language of the centre will  be one of state-of-the-art technology and the display of structural principles. A special role is given to the underside of the centre; it will have mirroring qualities, able to reflect all the movement on the ground as well as the visitors that by entering the centre are penetrating the reflections of the earth’s surface.
 

Τρίτη 20 Δεκεμβρίου 2011

Fuksas Pearl River

Shenzhen is one of the most important industrial locations as well as a very popular tourist destination in China. The fast developing city is located in the south of the Guangdong Province, neighbouring the Pearl River delta and Hong Kong. Shenzhen Bao’an International Airport is the fourth largest following Beijing, Shanghai, and Guangzhou in China. In 2008 Massimiliano and Doriana Fuksas Architects won the international competition for the extension of the airport with the design of Terminal 3.

The concept of the project provokes the image of a sculpture with its organic shape. The structure of the building is in steel with a concrete substructure. The skin that envelops the structure, both on the inside and on the outside, shows the honeycomb motive.
The 300,000 mq facade is made of metal panels and glass panels of different size that can be partially opened. They follow the honeycomb motive. The building has a roof construction with spans up to 80 m. Through its double layer, the skin allows the natural light to filter and create light plays. The terminal and concourse constitute the major portion of the passengers perception of an airport.

Concourse area is one of the key areas at the airport and it is composed of three levels. Each level is dedicated to independent functions: departure, arrival, and services. On the ground floor, the plaza provides access to the departures and arrivals as well as to the cafand restaurants, offices and facilities for business meetings. Travellers reach the Terminal at level 14.40 m.

The spatial concept of interior is one of fluidity. It combines two different ideas: the idea of movement and the idea of pause. The honeycomb, developed in the suspended structure, is translated into the interior and quoted in different scales throughout the building. Retail boxes introduce the honeycomb idea in a bigger scale and will be repeated, in slightly different articulation, in the concourse. In the most public and open spaces, the honeycomb can be found as a 3D imprint in the wall cover as well as in the suspended ceiling.

Δευτέρα 19 Δεκεμβρίου 2011

Swarm Intelligence

This project is Zhaochen Wang’s  Master of Architecture thesis developed at the University of Southern California. The project is an investigation of swarm intelligence and slime mould and its translation into urban and architectural design.

The site is located in Kiruna in the northern part of Sweden. The project creates an architecture which aims to create a half urban and half nature prototype space which could be covered by temperature sensitive glass that adjusts to light and wind. The project explores the relationship between people and urban design with an adaptive project that responds to external and internal stimuli. The building appears as a dynamic surface that changes color in real time according to specific requirements.

Παρασκευή 16 Δεκεμβρίου 2011

to Ski is to Transform

The future Ski Village will transform the existing Levi ski resort into a world class destination, offering top quality accommodation and leisure services for skiers of all levels and demands. The proximity to the Kittilä airport ensures easy access to the resort attracting international visitors to Levi village and the whole Lapland region. The Finland-based developer Kassiopeia Finland Oy is investing in its local region as it currently owns and operates Hotel Levi Panorama, Levi Summit Congress Center and Hotel K5 Levi and above and beyond has interests in developing the exquisite Koutalaki area.

“BIG’s visionary approach of combining unique types of accommodation and amenities along with the leisure activities offered at the resort, left the jury in awe. BIG’s ambitious plan challenges traditional thinking and we believe that the collaboration between Kassiopeia Finland and BIG-Bjarke Ingels Group will rise to the occasion.” Jury, Kassiopeia Finland Oy.

Located on a gentle slope, the existing Levi ski center provides the framework for the future Koutalaki Ski Village which is conceived as an extension of the summit and the existing cluster of buildings in Koutalaki. BIG proposes to create a series of buildings that radiate out from a central square and whose ends touch the ground to create four freestanding buildings that each provide access to the roof and allow the skiers to descend from the resort’s rooftop downhill in any direction. The soft curves of the undulating roofs of the four buildings create a visual continuity of the natural land–scape while lending the whole village the unique character of a skislope skyline that creates an inhabited mountain top.

“The Koutalaki Ski Village is conceived as an extension of both the summit and the resort. Grown from the natural topography rather than dropped from the sky – the architecture extends the organic forms of natural landscape creating an inhabitable as well as skiable manmade mountain. As a result, our design for the Koutalaki Ski Village creates a new hybrid integrating distinct identities such as village and resort, shelter and openness, cozy intimacy and natural maj–esty, unique character and careful continuity – or simply – architecture and landscape.” Bjarke Ingels, Founder & Partner, BIG.
The four buildings arc around a central square to create a new bustling village plaza at the heart of the resort, which is sheltered from the wind yet open and inviting to the surrounding landscape. The plaza allows ice skating and music events and is connected to a bowl like yard with cafés and bars created by the lower interior heights of the new buildings. The intimate atmosphere of the spaces created here contrasts the open views from the summit.

The whole resort area is connected through a network of paths that prioritizes skiers and pedestrians. Access to the roofs happens through central elevator cores allowing skiing down either towards the courtyard or the piste. An elevator located centrally in the hotel provides access to the roof top restaurant with a 360 degree panorama views of the landscape and plaza.

”When first visiting the future Koutalaki village site you realize the proximity to the ski slopes but at the same time the importance of creating a connection for skiers as well. The gentle slope away from the main ski system seems to offer the solution for a unified proposal that creates maximum connectivity for skiers and pedestrians.” Jakob Lange, Partner-in-Charge, BIG.

All accommodation units offered at the new resort enjoy beautiful views of the surrounding nature, including the eight private villas which are situated at different elevations to provide an undisturbed panorama, while the elevated private gardens serve as an extension of the landscape. The villas embrace the snowy landscape and allow the snow in all its forms become a part of the architecture itself.

“Instead of creating design solutions that aim at dealing with snow by shoveling or moving it, we want to create a village that utilizes the full potential of snow. When it is caught on the façade the window frames become a living part of the landscape, adapting to changes in the weather. The light granite façade enhances the intimate relation with the nature. “ Hanna Johansson, Project Leader, BIG.

While the four buildings simulate real ski slopes during winter time, combining the essence of a ski resort – skiing, relaxation, rec–reation and dwelling, the roofscape of the buildings during summer will be just as attractive serving as a green continuum of the surrounding natural landscape for hiking and picnics.
 

Πέμπτη 15 Δεκεμβρίου 2011

Strategic Planning to Live

Housing + Infrastructure: An active planning strategy subsidizing low income public housing’

Housing inequity is a common phenomenon throughout the world, in both developed and developing countries. The reasons for this phenomenon are many, but the main factor is the rapid development of the city and the privatization of lands and infrastructure without an adequate urban study. Conventional solutions are generally political and few considerations have been taken from the strategic planning of the urban space.

A public housing project in the 21st century must help low-income families obtain better living quality without the associated high costs. This project addresses the opportunity to create a hybrid typology between housing and the city infrastructure. It is not only an architectural hybrid, but a mix of two ideas: the desire to provide low-income families a better life and a high-profit business for the city itself. The use of political power will give ownership of the city’s infrastructure to the poor people. The city’s infrastructure and housing for low-income families become one, and in sharing the space allow cheaper construction costs, the creation of job opportunities, and the profit from infrastructure administration.

The project is located in Jamaica Center in New York City. The idea is to create large water tanks with treatment facilities for grey and black waters through the use of treatment plants in a large scale greenhouse that will also serve as a recreational space for the community. Housing will be attached to the infrastructure and residents will work in the treatment facilities.

Δευτέρα 12 Δεκεμβρίου 2011

cloud Seoul

Two residential towers in Seoul, Korea, designed by MVRDV, are connected in the centre by a pixilated cloud of additional program offering amenities and outside spaces with wide views. Positioned at the entrance of Libeskind’s Yongsan Dreamhub master plan project, the adjoined structures represent pixilated volumes with their rigid compactness disrupted at the connecting point. With a total surface of 128,000m2, the towers are expected to be completed in 2015.

Two structures are linked at the 27th floor with a volume spanning ten floors, evoking the image of a geometric cloud. The cloud comprises residential and commercial functions, along with the sky lounge, a wellness center, conference hall, fitness studio, pools, restaurants and cafes.  The square floor plans contain four corner apartments per floor. All spaces are rich with daylight and are well ventilated. Except for the grand lobby, used for accessing both towers, the rest of the ground level floor is divided into town houses.

Programs and facilities are revealed through the structural façade. They seem to flow beyond the building’s primary volume and transform into gardens, pools and plazas. Usually segregated, public and private functions are here distributed in order to encourage social interaction between residential architecture and the city.
 

Σάββατο 10 Δεκεμβρίου 2011

a New Dimension of Space

UNStudio’s design for The Scotts Tower in Singapore has been designed to conserve space whilst maximizing live/work/play areas, The Scotts Tower presents a new dimension of functional and flexible vertical space. The Scotts Tower high end residential building is situated on a prime location in Singapore, close to the Orchard Road luxury shopping district and with views encompassing both nearby parkland and the panoramic cityscape of Singapore City.

Ben van Berkel: “An interesting facet of The Scotts Tower is the way that it reacts to the urban context of Singapore. Instead of the more usual means of planning a city horizontally, we have created neighbourhoods in the sky; a vertical city where each zone has its own distinct identity.” The 18,500m2, 31-storey, 231-unit tower consists of 1 to 3-bedroom apartments and 4-bedroom penthouses; expansive landscaped gardens, sky terraces, penthouse roof gardens and diverse recreational facilities.

Neighborhoods in the sky
The concept of The Scotts Tower is that of a vertical city incorporating a variety of residence types and scales. In addition, outdoor green areas in the form of sky terraces, penthouse roof gardens and individual terraces form an important element of the design. The vertical city concept is interpreted on the tower in three scales; the “city”, the “neighbourhood” and the “home”. The three elements of the vertical city concept along with the green areas are bound together by two gestures: the “vertical frame” and the “sky frames”.

The vertical frame organises the tower architecturally in an urban manner. The frame affords the tower the vertical city effect by dividing the four residential clusters into different neighbourhoods.

The sky frames – at the lobby (Level 1 & Level 2) and sky terrace (Level 25) – organise the amenity spaces and green areas of the tower.
Customized living
The four residential clusters are each designed for versatile and customised living. Individual identity is given to each unit by means of type, scale, distribution and articulation of outdoor space, along with the possibility for personalisation of the interior layout; by means of a semi-white plan, residents will be given the freedom to configure their personal living spaces according to their lifestyles and aspirations.

The individual articulation of each cluster within the main framework of the tower is directly related to the organisation and materialisation of the terrace spaces. These varied outdoor spaces afford a choice of views, with corner terraces providing both cityscape panoramas and vistas over the natural landscape adjacent to the building.

Ben van Berkel: “The balconies combined with the zoning of the individually framed neighbourhoods in The Scotts Tower create different scales of detail in the structure; both intricate, smaller details and larger gestural details.”

City Loft, City View, Park View and Penthouses
Situated above the lower sky frame, the hundred and twenty-eight City Loft residences in the first cluster occupy the lower sixteen floors of the tower.

The second cluster offers a total of eighty City View units distributed in two clusters. The first cluster shares the first sixteen floor plates with the City Loft residencies. While the second cluster of forty eight units runs above the previous package.

Park View units form the next cluster above the second sky frame, covering five floors and containing twenty units. Crowning the tower is the final cluster containing one floor of three exclusive Penthouse residences.

Gardens, recreation and Sky Frames
The nearby green area to the West of the tower is extended into The Scotts Tower site initially by means of a ground level landscape concept designed by Sitetectonix. This ground level concept incorporates a multi-layered environment which links together the different zones and recreational facilities available to the residents. Recreational facilities within the gardens include a 50 meter lap pool with sunning deck, a children’s pool, a wellness pool, dining & BBQ pavilions, a meeting pavilion and massage and gym pavilions.

Πέμπτη 8 Δεκεμβρίου 2011

green Rooms

Green Rooms Gardens & Landscapes is a quality provider of landscape  design, landscape construction and garden maintenance services. Our passion is to create stunning outdoor living spaces that are sustainable with the living environment it is surrounded by.

Landscape design, construction and maintenance are the passions of each of our employees and we treat each garden with the same care as if it was one of our own. It is simple things that make us rise above the rest - on time, professional and trustworthy service so that you can enjoy a hassle free process from start to finish.

Green Rooms is a member of Landscape Association Australia (LCA). Green Rooms is also sustainably accredited by Sustainable Gardening Australia (SGA).
 

Τετάρτη 7 Δεκεμβρίου 2011

raw Materials

Umicor, a materials manufacturer for clean technologies, built their new offices in the middle of their manufacturing campus which is part of a much larger industrial park in Hoboken, Belgium. The design by Conix Architects is intended to integrate the plant better with its surroundings, adding a fresh scale and materiality to the site and create a sense of place amongst the brick industrial buildings. The project is also a retrofit of a mid-century 8 story brick office, with a fresh wing unrolling from one end, an interesting design narrative connecting with the plant’s mission to recycle and reclaim raw materials.
The narrow floor plate and floor-to-glass windows on either side give the tower an unprecedented transparency. The design serves to emphasize the ribbon like form that separates the levels and makes up portions of the front façade. Each level is offset to create a more spontaneous visual interaction with visitors. The ribbon extends out as an arch into the campus to provide a more human scaled approach to the offices and makes an organized egress through the industrial park. The adjacent hardscape has been softened with a large living wall.

Much of the addition’s program is for visitor and employee assembly. The architecture is designed with the intent of distinguishing the brand of the company.

 

Τρίτη 6 Δεκεμβρίου 2011

Camlica Hill

This TV-Radio tower designed by architects Ahmet Unveren and Seckin Maden will be located on the great Camlica Hill – Istanbul, which has an altitude of 240 meters above  sea level. The site consists of 120.000m²  in a natural reserve protected  by the government. The project aims to be an innovative 350 meter high tower that would clean the overall mess of the current TV and radio antennas on the site.

The project is based on the duality of the natural protected site and the tower. This duality comes up with: functional trauma, formal trauma, and spatial trauma. Instead of accepting the disconnection and fixing it; the intention is to utilize the tower as the functional and formal continuation of the natural protected site.

The specified urban space and the view terrace should not be separated as two alternative units by vertical circulation, within each other. The urban use of the tower is specified as a panoramic elevator, based only on ground level. The main urban movement is figured on ground level with the surrounding flora. The intersection space of the horizontal circulation on the park zone and the vertical continuation of the tower is the most critical zone of project. The horizontal-vertical balance, transition of open-close spaces and even the nature-tech interface is based on this critical zone. The polygonal shell, generates different qualities of space inside and outside. The aim in visual continuity is based on the hierarchical articulation in the tower. Because of this reason; the formal significance is mostly emphasized on the ground level related with the park, instead of the terrace and technical zones on upper levels.

Δευτέρα 5 Δεκεμβρίου 2011

to Transform a Car

Winning the Hong Kong Alternative Car Park Tower Competition, the proposal attempts to integrate the Hong Kong City hall, the second-floor pedestrian system and the streets on the second floor. It provides a network of public spaces with atriums and multifunctional areas placed at the top floor, along with great views of the Victoria Harbor and Kowloon. Designed by Mozhao Studio, the Car Park Tower is a public building, transforming the typical parking facility into an urban landmark.

The automated parking is located above the multi-functional area, forming an 80 meter high outdoor atrium. Cars are transported from the ground floor to parking spots by the spiral car-lifts and the horizontal rails. The atrium which varies with movement of mechanism of the fully automated parking provides the multi-functional area with a distinctive atmosphere.  In Hong Kong, an example of highly dense city, many public spaces are temporarily occupied for recreation and commercial uses to varying degrees. By adding the time dimension, the approach of transforming programs of the same place is a significant factor for solving the problem of scarce land. On non-work days the ground floor is transformed into a temporary market. The transformation occurs as a consequence of changing car routes. It gives urban significance to the site, connecting it to the adjacent public areas and creating a dynamic urban environment in Hong Kong.

 

Σάββατο 3 Δεκεμβρίου 2011

for Mumbai School

The building is located in a densely populated residential part of Mumbai, with hight desity ranging from 7 to 15 stories. This height regulation governs the development of the entire neighborhood, including the school site. In order to create privacy in the school spaces and make the building more efficient, designers at Sanjay Puri Architects introduced a second skin of hexagonal modules encompassing the entire building. The modules have small openings on the southern side to reduce heat gain into the building while providing cross ventilation since the sun during most of the year is on the southern side in this location while southwest breeze blows throughout the year. Towards the northern side, with indirect sunlight, the hexagons are like truncated pipes moving in and out and creating additional usable spaces for sitting, playing or reading as extensions to the open spaces on each floor.

Due to several design constrains, the project had to use up the entire available height of 45 m, leaving only marginal open spaces on all sides. Lack of free ground level space influenced the programmatic distribution; the school is planned with a sheltered open space below the footprint of the building, a large auditorium space in the basement and sporting facilities planned in the topmost level and the terrace. At each floor, classrooms occupy the periphery with a central circulation spine that is punctuated connecting a few levels vertically while opening out on the northern side.

The modular façade design transforms the school in a self-contained environment, sheltered from the densely populated neighborhood.

Τετάρτη 30 Νοεμβρίου 2011

Design in Cologne

The project was created for the recent SPOGA furniture design exhibition in Cologne, Germany and is part of an ongoing research into Expandable Surface Systems, which began in collaboration with the Emergent Technologies and Design Programme at the Architectural Association. The project was designed, fabricated and mounted by the designers.

The design manifested into an exhibition and meeting room pavilion that explores complex geometries generated by simple cut patterning in sheets.

To realize the built structure, the team underwent extensive structural and geometric digital analysis to understand and anticipate the reaction between the material and pattern. A system of mathematical relationships were derived to control found material properties digitally. This iterative process was then scrutinized and revised by findings resulted from structural analysis. The ability to understand material properties from the standpoint of geometry lead to the success of the project.  It was a great lesson for the designers to learn from the material – this feedback was the guiding factor in the design process.
The success of the design was contingent on questions of fabrication, minimal waste, and deployabilit. The fabrication process is down to less than 2 percent waste. The system logic and geometric design is embedded in the material directly, rendering no need for excessive explanation to a contractor.

Location: Cologne, Germany
Client: RESOL
Project Year: 2011
Size: 16M2
Design Team: Pablo Zamorano, Nacho Martí, Jacob Bek.
 

Τρίτη 29 Νοεμβρίου 2011

Liesma, Latvia

Proposal is designed for music-themed upscale Hotel Competition in Jurmala, Latvia. It is the meeting point of waves and coast, wind and pine-trees, ideas and people, various music rhythms and audition. Music has the power to stop time. An oasis of peace hides behind the shape of the dynamic hotel like calmness subsists in the deep below the waves of the sea. The hotel is a place where to offload the daily stress, to gain the peace of the soul, the feeling of freedom and harmony with the environment. It is the uniformity with lights and shadows, color tones and textures, forms and sounds.

Architecture of the building is characterized by calisthenics of facades. The basic construction has remained untouched but facade has been changed completely. The facade has a wavy shape with vertical wooden constructions. Hence the classical traditions of architecture of Jurmala have been honored. Wooden materials in various tones and factures are used as the predominant materials in the design. The rhythm of vertical lines of glued pine wood gives the building an appeal as it associates with boles of the wood and embraces the building in the landscape of Jurmala.

Transparent and frosted glass is used in the external design behind the wooden constructions. Hence the external pattern is independent and is characterized by form of free plastics. The musical form of the building has been achieved by using the parametric principles of architecture: both internal and external design is dominated by wavy lines, parametric plastics and rhythmical modeling of bearing constructions. It is of particular importance that wavy design has been achieved by rather simple elements – straight frames which form wavy effects by changing parametrically. Such solution does not increase the costs of building. Frames that change the blocks of rooms of the Soviet building form rectangle to musical, rhythmical form are not there only for decoration – these frames are basic structure for wavy balconies. In this way the spacious balconies do not only allow enjoying the rustling sea, observing the changing colors of the sky during sun sets or simply watching the sun but also serves as natural shading for rooms of lower floors. As well, the frames of the facade form shading hence protecting from overheating in hot summer days. It is worth mentioning that facades that are more open for the sun feature larger balcony extensions than those which are less impacted by the sun.

In the complex of the buildings the block of rooms and most of the lobby block have been retained which is an advantage for this proposal. The complex buildings feature three different but organized zones. First, the public zone with conference halls and a restaurant (a kitchen and supplies have been organized in a basement under the zone), Second, recreational zone with swimming pool. Third, the zone of hotel rooms. Functionally they have been separated but the planning is done to eliminate the feeling of seclusion for visitors. Therefore, the planning allows visitors to glance over every detail and fluently move from one zone to other. It has been achieved with galleries and wide lobbies with small lounges and large outdoor terraces.

The objective of the proposal in not only to attribute a musical form to the architecture of the hotel but, most importantly, creating a building which brings into different environment where musical spirit resides. Proper elements in interior and exterior help to achieve the aim and bring in comfort, silence and beauty. Grand piano and chosen interior materials such as glass, crystal, silk, linen and wood, portraits of musicians and silenced sounds of music characterizes the hotel. Small stages are planned inside and outside of the hotel. It is done so to loosen up visitors and make them feel free.

The composition of the hotel includes seaside nature elements – decorative ponds and fountains, inside waterfalls built into glass structures, electrical fireplaces in rooms that correspond modern tendencies and traditions of antique homes. The main element of the organization of the construction and territory is the musical emphasis – a pavilion in large area of water. It is association with a shell and vinyl record that is a source of fluent sounds. The great design of the hotel sparkles in evening sun beams. The visitors will be granted with white sand, rustles of pine-trees and great emotions when walking along the shore of the sea. The hotel will serve as a continuation of beach accents like accords in music. It will be a place to return to…

Architects: Jevgenijs Busins, Liva Banka
Collaborator: Sandra Laganovska, SIA  - Arhitekta Modra Ģelža birojs
Client: Hotel Liesma
Location: Jurmala, Latvia
Site Area: 15,000 m2
Project Floor Area: 10,300 m2

Δευτέρα 28 Νοεμβρίου 2011

an Architecture of Air

As a shining pearl in the Pearl River Delta, Hong Kong connects four places between two sides in China. Its characteristics of identity, interchanging and flexibility are more and more emphasized not only in the future metropolitan context, but also in the role in the historical and political sense that it plays.

We propose to rethink HKBCF as the architecture of air, a geyser of fire, flaming on the moving surfaces of the sea by holistic way.

Initially, as a transportation junction adjacent to HK International Airport, its identities are affected mainly by both the general view approaching the boundary and the vision relationship between the plane and boundary. In terms of this we create voids with landscape inside to emphasize the contrast between the building forms and the figure-ground petal patterns. Second, we explore the formal principles of Chinese traditional decorative knots and paste its inner sense into the architecture. The boundary is not only a space for connecting but a place for emotional intersection but also as a container of flexible functions and complicated circulations. Lastly, flowing transportation route is another key point we seek for. Linear circulation substituted by centrality form smartly separated the two fields of vehicle and pedestrian. Within the nodes, Hong Kong incessantly connects to its motherland and the world.
Design team:
Cheng Gong, Southern California Institute of Architecture [SCI-Arc], Los Angeles, California, USA
Etienne Mares, DCF(Dynamic City Foundation)/MARS-1 Space Design
Franck Constans, AUBE Conception d’Architecture France

Σάββατο 26 Νοεμβρίου 2011

Innovative Technologies

Conceived as a forerunner of Ukraine’s development of sustainable means of communication, the project uses principles of biomechanics in linking form with function. Designed by KO+KO Architects, the Center for Development of Innovative Transportation Technologies comprises an entire network of factories, technologies and spaces. It uses principles of biomimicry in a strategic way, as well as aesthetically. The building is a living organism, with its mechanics, structural configuration and visual appearance. A particularly important issue for the architects was establishing a state between chaos and order, whole and fragments, organic and industrial imagery.

In order to facilitate the entrance to the building an additional street was introduced from the Moskovskyi Bridge in the direction of Podil. The street itself is divided into three parts, establishing maximum accessibility of the structure and leading towards parking lot, driveway and exhibition areas. The left wing of the building has a courtyard with the economic turn pocket for easy movement of freight cars. Through the first branch the one can contemplate a provision of urban amenities, which also serve as a resting-place (in addition, it is close to the projected subway station). The first branch will actually serve as a transit point for visitors, yet the central axis of the building will serve as the main access to the facility. It separates the general layout on mentioned car park and provision of urban amenities. Car park is designed for 140 vehicles with a possible extension and provision of separate facilities for disabled people at the top. The new building will become a prominent symbol of the quay.

Παρασκευή 25 Νοεμβρίου 2011

parallel to Kuta Beach

Solus4 recently unveiled  a 2,500 sm Marine Research Center Located 100 meters away, parallel to the shore of Kuta Beach, Bali, Indonesia. The program is composed of three main components: public, semipublic and private. The spaces vary from underwater labs, scientist bedrooms and aquatic garden to sea water pool, swimming pool terrace, bar and an auditorium. The spaces are located above and under water and allow the visitors and scientist to take full advantage of the amazing landscape that surrounds the project.

This project represents a new typology for stationary in-water based projects reached by boat, which in the past have been mostly relegated as merely work, non-destination platforms which do not take into account the design possibilities that the in-water sites present.

Three major events generate tsunamis; meteors, landslides, and large earthquakes. Underwater earthquakes—the most common type in Indonesia—with epicenters close to coast lines, form the conceptual basis of the architectural proposal. It uses the initial elliptical pattern and cross section diagram of the tsunami wave, one of the main focus of the centre’s research and prevention efforts, as the morphology generators and guides of programmatic organization. The design is both aesthetically imposing and seamlessly integrated into its aquatic natural environment. The result is a very fluid structure with an immediate and direct visual connection to the exterior. The center will serve not only as an architectural icon for Bali but also as an international model for modern sustainable design with its use of on-site renewable energy resources through its integration of such technologies as tidal wave energy generation, natural ventilation, rain water collection, passive solar energy, low E glass, and high reflectance fiber glass materials.

via Inhabitat

Πέμπτη 24 Νοεμβρίου 2011

Performance of Nature

The intelligent dynamic wall is an installation designed by E/B Office for Leonardo Museum of Art, Science and Technology in Salt Lake City, Utah. It aims to communicate the global environmental information through an interactive interface embedded in the material of the wall. It tries to convey the idea of applying green techniques to built space as a live, conscious system, fully integrated with the environment.

Environmental sensors capture data from sources throughout the planet and feed the data to solar-powered LED’s embedded in the sine-wave form made of recycled plastic. As the sensors register changes in temperature, wind, seismicity, and other factors, the LEDs reflect these fluctuations with continuous spectral waves that represent minute shifts in the data feed from moment to moment.  At 92 feet long and over 14 feet high, the structure covers 1300 sqft of vertical exhibition space traversing the museum’s ground floor lobby and acting as a programmatic threshold between exhibit spaces. It’s composed of 176 unique recycled HDPE fins embedded with 1,888 full-color RGB LED’s and held together by approximately 8000 individual set screws.  The estimated amount of plastic this project diverted from a landfill is around three tons.

The different colors flowing through the wall indicate temperatures around the globe, while also showing actual wind speed. In a situation of earthquake, the world map displays the location and strength. Visitors are able to interact with the installation, using Twitter to alter the global weather feed, consequently changing the visualization displayed on the wall.