The Austro-Croatian design collective Numen/For Use was established in 1998, as a collaborative effort of industrial designers Sven Jonke, Christoph Katzler and Nikola Radeljković. Since then they have worked on numerous projects, some of which investigating ideas beyond the field of industrial design. From the scenographic project for the production of “Inferno” in the National Centre for Drama in Madrid, to the series of temporary installations under the common title “Tape Project”, their work seems to be continually engaging with issues of spatial experimentation.
The main idea for the installations was to attempt to capture visual residues of choreographed movement. The form evolved from retroactive visual mapping of the dancer’s movement, as if representing a frozen 3d recording of the choreography. The subtlety of the movement is translated into a surprisingly strong object, capable of sustaining human weight. It is an organic, web-like structure made from transparent adhesive tape. Wrapping of the existing building elements results in a surface that can be entered by visitors. The sculpture is thus transformed into architecture, inhabitable and public, communicating concepts of “social turn” and “community-based art”.
The Tape Projects were so far executed in Vienna, Frankfurt, Berlin, Belgrade, and most recently, Melbourne, all part of local design exhibitions and festivals. They are travelling examples of informal art, discreetly inhabiting empty auditoriums, lobbies and public squares.
The main idea for the installations was to attempt to capture visual residues of choreographed movement. The form evolved from retroactive visual mapping of the dancer’s movement, as if representing a frozen 3d recording of the choreography. The subtlety of the movement is translated into a surprisingly strong object, capable of sustaining human weight. It is an organic, web-like structure made from transparent adhesive tape. Wrapping of the existing building elements results in a surface that can be entered by visitors. The sculpture is thus transformed into architecture, inhabitable and public, communicating concepts of “social turn” and “community-based art”.
The Tape Projects were so far executed in Vienna, Frankfurt, Berlin, Belgrade, and most recently, Melbourne, all part of local design exhibitions and festivals. They are travelling examples of informal art, discreetly inhabiting empty auditoriums, lobbies and public squares.
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